2018 Toronto Fringe Picks: Part 3

13 Jul

With the final weekend of the Toronto Fringe Festival upon us, here are a few more brief recommendations!

Dead for a Ducat: A deliciously clever and earnest film noir adaptation of Hamlet, with all the parts smartly performed by only two talented and hard working actors. It can be risky to mess with the classics, but Dead for a Ducat pulls it off with aplomb.

Harvey and the Extraordinary: This touching site-specific piece situated in a back-alley garage uses the premise of an eight year-old aspiring mime performing a show for her neighbours as the vehicle for a far more profound and moving story that is told almost exclusively in between the lines. Performer/creator Eliza Martin uses the intimacy of the space to great effect; her subtle twitches and the brief flashes of sadness in her eyes communicate so very much that would be lost in a larger venue.

Hooked: Looking for a bit of variety in your Fringe diet? Consider checking out one of the many worthy dance shows in this year’s festival. One excellent candidate is Kristen Pepper’s Hooked; it offers an emotionally effective premise, a clear narrative arc, and elegant choreography.

Life in a Box: Who would have expected a stoner buddy comedy to be so sharp, vibrant, and imaginatively staged? Not only does this dank time travel adventure feature palpably noteworthy chemistry between writer/performers Landon Doak and Matthew Finlan, but also some damn catchy musical interludes that invite comparisons to the work of Lin-Manuel Miranda.

Police Cops in Space: Very much in the same vein as Sex-T-Rex, The Pretend Men are able to weave a tale of justice, revenge, and friendship – in space no less – that is in equal measure hilarious and cinematic using only goofy costumes, cheap props, and a whole lot of theatrical magic.

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